A show of Japanese-style wood block prints will kick off the 2010–2011 season at the Gallery at the Rhodes Arts Center.
The show, “Topofilia: Woodcut Prints of the Western Landscape” by Tom Killion, will be on display at the gallery September 6–October 16.
Killion’s prints—images of flowing California coasts, the snowy peaks of the High Sierras, and the environs of Mt. Tamalpais—pay tribute to the influences of Japanese ukiyo-ë landscape masters Hokusai and Hiroshige, but also European and American wood-engravers, such as Eric Gill and Rockwell Kent.
According to his artist statement, Killion carves his images into such materials as cherry, all-shina plywood, and Amsterdam linoleum. He then uses a German hand-cranked proofing press and oil-based inks to create images on Japanese kozo papers.
“The complex process of transforming Killion’s on-site sketches (he never works from photos) into multi-color prints involves a combination of traditional Japanese techniques with some modern innovations necessitated by the use of a printing press and oil-based inks,” the statement reads.
Killion’s process involves reversing the image onto a key block, transferring that image to other color blocks, and printing a multi-block image. According to the statement, “Each print is essentially a monoprint in the multi-color editions, because Killion frequently experiments with hand wiping, inking and color values through out the run.”
At the end of the process, key blocks are saved for possible second editions.
To see more prints, click here or go to Killion’s website at www.tomkillion.com.













